One would truly have to be insane to want to watch this TIFF Midnight Madness showcase.
mother! will be unlike anything you see in a theater in a long time.
This 'Goon' sequel is a shell of its former self.
'Death Note' recreates the highs of 'The Guest' before it succumbs to the woes of franchise-building.
'The Incredible Jessica James' is Jessica Williams' head's up to Hollywood that she is ready for the spotlight.
A too-safe ending deflates what would otherwise be an excellently acted period piece.
'Lost In Paris' is a sugary sweet concoction of romanticism and slapstick comedy.
Post-production woes kept 'Vincent N Roxxy' from release for two years, but only Zoe Kravitz saves it from the scrapheap.
How 'Get Out' proves that the social commentary offered by Jordan Peele is pushing buttons that shouldn’t exist in 2017.
Rather than shallowly engage with the politics of equality, director Joe Ahearne ties the politics of B&B back to the story intrinsically.
If the film didn't fall apart completely regarding rhythm, The Dinner would make for the type of compelling adult dramas that are rarely seen in cineplexes anymore.
There is a great deal of promise on display in the mixed effort that is 'Buster's Mal Heart'