Fulci has stated multiple times that Don’t Torture a Duckling was a favorite of his own films. All things considered, it’s easy to see why.
Absurd and garish, it’s a satisfying Jess Franco film, especially for the Franco-initiated.
An intermittently interesting misstep from an otherwise great filmmaker.
Rebecca is an enigmatic film, with seamlessly shifting tones and an abundance of analytic potential.
E.A. Dupont’s vibrant tour de force remains a brilliant demonstration of cinema’s early exultant potential.
This 1966 feature is an operatic, passionate, and expertly-executed Western renovation.
Duel in the Sun rises as one overblown and overheated passion project, in the best possible way.
You Only Live Once is a lot of movie in just 86 minutes.
This is quintessential Sam Fuller filmmaking.
Cinema doesn’t get more meaningful than this.
Philosophical complexity and perceptive veracity mark the best of Bresson’s work, L’argent included.
The Lodger is an exemplary showcase for what would soon define the cinema of its celebrated director.