'His Girl Friday' gets the Criterion treatment.
Fellini's 'Roma', no on Blu-ray from Criterion, surges with flaring tempers, wild passions, and a messy, hectic environment.
As the template for so many heist films to follow, John Huston’s 1950 caper benchmark, The Asphalt Jungle, still ranks among the finest of the crime movie sub-genre
Henry: Portrait of a Serial Killer is a visceral, emotional, and highly distressing work.
It is this exhibition of an ostensible reality, but one doused with hallucinations, dreams, or genuinely existing absurdity, that makes Buñuel the quintessentially surreal artist that he is.
Released in two different versions, one in 1948, one in 1950, both included on this Olive Films disc, this particular rendering of Macbeth ranks among Welles’s best.
As noted by Martin Scorsese, arguably the film’s biggest champion, 'One-Eyed Jacks' is quite unlike anything else around.
'Private Vices, Public Virtues' is primarily concerned with a vigorous repudiation of sociopolitical order and decorum.
In a country where the designation carried significant political and aesthetic wartime weight, 'One of Our Aircraft Is Missing' is populist British propaganda at its best.
If Strategic Air Command is anything, it is an impressively ardent love letter to military aviation.
The Quiet Man is a joyous and dazzling movie to behold, and a touching portrait of Ford’s endearing, and enduring, Irish heritage.
If The Hills Have Eyes emerges as disturbing as it does, it’s because the viewer is often left to fill in the graphic blanks.