Oculus has a lot of good things going for it. For one, it’s being ushered in under Blumhouse, Jason Blum’s production company specializing in modern horror films such as Insidious, Paranormal Activity, and Sinister.
Rumsfeld is, even by his own admission, cold and calculated. He never slips up, he never shows any sign of regret for any of his actions. At the end of the film, Morris bluntly asks Rumsfeld, “Why are you talking to me?” Rumsfeld laughs at
Darren Aronofsky’s decision to make a big budget Hollywood movie production of the Old Testament story of Noah and his ark was a bold one. It was never going to please bible purists and nonbelievers are unlikely to be converted by a movie in 2014.
“That was one of your weaker digressions.”
When all is said and done, Nymphomaniac turns out to be a sort of “greatest hits” compilation for Lars von Trier, as he has callbacks to several of his earlier films. There is a scene in which a child
Imagine you were going to write a new YA series, but you really wanted to make an ass-load of cash and didn't really give a shit about your characters or any of that pesky stuff. Well you’d probably just steal all the cool bits and
I’m not interested in cars, or car movies, or car culture. Nothing against people who are interested in that stuff, it’s just not for me. So I went into Need for Speed expecting something terrible. Color me surprised, because Need for Speed is one of
I never watched Veronica Mars when it was on UPN (and later the CW network). It aired from 2004 to 2007 and during those years nearly all of my TV habits revolved around watching LOST, talking about LOST and ravenously eating up all the LOST