Molly’s Game
Aaron Sorkin's fine directorial debut is given assurance and confidence by Jessica Chastain.
Aaron Sorkin's fine directorial debut is given assurance and confidence by Jessica Chastain.
The crowd for Hostiles isn't going to be a large one, but those amenable to it will find much to appreciate.
The Last Jedi is a true feast for the eyes, making for quite possibly the most gorgeous installment in the entire Star Wars franchise.
The Shape of Water is a whimsical pleasure, but it has limited upside.
Lady Bird is undoubtedly one of the year’s very best films, infused with so much love and care that it hurts.
This isn't a documentary about method acting gone wrong, it's a weaving of personalities separated by decades.
More decent than excellent, Branagh's Murder on the Orient Express might ultimately disappoint readers hoping to find the definitive interpretation of Christie's beloved novel.
The Light of the Moon is a deeply affecting incarnation of taboo subject matter with a refreshing take.
Indie Film Regular Dir. Alex Ross Perry covers a familiar tune in his own style.
“Chappaquiddick” accomplishes nothing, pulls a fast one, and smiles while it does it.
