SXSW Review: Sorry to Bother You
Sorry to Bother You is the kind of deliriously brilliant, socially outraged firecracker of a debut that can only signal the arrival of a great, singular, significant talent.
Sorry to Bother You is the kind of deliriously brilliant, socially outraged firecracker of a debut that can only signal the arrival of a great, singular, significant talent.
Blockers crafts a thoughtful and achingly funny story about sex, gender dynamics, and the double standards that society hoists upon teenage girls from every conceivable angle.
Unfriended: Dark Web is like Black Mirror by way of an ‘80s slasher flick.
A nerve-shreddingly tense creature feature elevated above its genre peers by its unapologetically potent humanist streak, John Krasinski’s A Quiet Place opened the SXSW Film Festival last night on a decided high note.
Red Sparrow features a great performance from Jennifer Lawrence, but it doesn't soar.
They Remain creates a great sense of mood, but its pacing is a serious problem.
Golden Exits is the least clean and most overwritten of Alex Ross Perry's filmography, resulting in a mostly suffocating mood where everything is explained (even the title).
Come for Die Hard in a cabin starring Jason Momoa, stay for the axes being thrown into faces.
Phantom Thread is another well-woven marvel from Paul Thomas Anderson.
Jessica Chastain and Aaron Sorkin together are a cinephile's dream.
